Identity Dilemma and Post-Colonialism in Conrad’s Heart of Darkness

Main Article Content

Nazan Eriş

Abstract

This study aims to examine Conrad's novella "Heart of Darkness" in terms of two diverse themes; identity dilemma and post-colonialism. This narrative follows the protagonist Marlow as he travels to the Congo River and discovers the harsh realities of colonization and its effects on the native people. However, apart from postcolonialism, this study also aims to shed light on how the novella represents the complicated and sometimes contradictory nature of identity via an investigation of the experiences and actions of the characters. At the same time, it is possible to realize that the novella includes a theme of identity dilemma, which can be examined in terms of the Hegelian master-slave dialectic. It represents the nature of oppression, subjugation, and resistance at some point.

Article Details

How to Cite
Eriş, N. (2023). Identity Dilemma and Post-Colonialism in Conrad’s Heart of Darkness. Journal of Philology and Educational Sciences, 2(1), 29–44. https://doi.org/10.53898/jpes2023213
Section
Research Articles

References

Achebe, C. (2016). An image of Africa: Racism in Conrad's "Heart of Darkness." The Massachusetts Review Inc., 57(1), 14–27. http://www.jstor.org/stable/43821495.

Blake, S. L. (1982). Racism and the classics: Teaching "Heart of Darkness." CLA Journal, 25(4), 396–404. http://www.jstor.org/stable/44321723.

Brantlinger, P. (1985). Heart of Darkness: Anti-imperialism, racism, or impressionism? Wayne State University Press, 27(4), 363–385. http://www.jstor.org/stable/23110450.

Conrad, J. (1990). "Heart of Darkness". Dover Publications.

Curtler, H. M. (1997). Achebe on Conrad: Racism and greatness in "Heart of Darkness." Conradiana, 29(1), 30–40. http://www.jstor.org/stable/24634988.

Farn, R. (2004). Colonial and postcolonial rewritings of" Heart of Darkness": A century of dialogue with Joseph Con-rad. Universal-Publishers.

Firchow, P. E. (2000). Envisioning Africa: Racism and imperialism in Conrad's Heart of Darkness. University Press of Kentucky.

Fry, P. H. (2012). Theory of literature (1st ed.). Yale University Press.

Gandhi, L. (1998). Postcolonial theory: A critical introduction (1st ed.). Routledge. https://doi.org/10.4324/9781003116714

Guerin, W. L., Labor, E., Morgan, L., Reesman, J. C., Willingham, J. R., & Willingham, J. (1998). A Handbook of critical approaches to literature (4th ed.). Oxford University Press.

Habib, M. (2018). The master–slave dialectic. In Hegel and the Foundations of Literary Theory (pp. 171-181). Cam-bridge: Cambridge University Press. https://doi.org/10.1017/9781108602952.012

McIntire, G. (2002). The women do not travel: Gender, difference, and incommensurability in Conrad's Heart of Dark-ness. MFS Modern Fiction Studies 48(2), 257-284. https://doi.org/10.1353/mfs.2002.0032

Said, E. W. (1977). Orientalism. Vintage Books. https://monoskop.org/images/4/4e/Said_Edward_Orientalism_1979.pdf

Singh, F. B. (1978). The colonialistic bias of "Heart of Darkness." Conradiana, 10(1), 41–54. http://www.jstor.org/stable/24633981

Stone, C., & Afzal-Khan, F. (1997). Gender, race and narrative structure: A reappraisal of Joseph Conrad's "Heart of Darkness." Conradiana, 29(3), 221–234. http://www.jstor.org/stable/24635074.

Tyson, L. (2006). Critical theory today: A user-friendly guide (2nd ed.). Routledge.

Vogel, D. (2012). Joseph Conrad in the light of postcolonialism. Yearbook of Conrad Studies, 7, 97–112. https://www.jstor.org/stable/26424172.

Watts, C. (1983). "A bloody racist": About Achebe's view of Conrad. The Yearbook of English Studies, 13, 196–209. https://doi.org/10.2307/3508121.